I love sequences—the repetition, the rhythm. That’s why I’m drawn to conceptual photography and minimal dance. For Mahler, repetition was a mortal sin. He used

München, Haus der Kunst, (2011), Mémé Bartels In the exhibition American Photography at the Rijksmuseum in Amsterdam, there’s a photo of a boy that immediately

Barneville Carteret, France (2020), Mémé Bartels Dear friends, Two years ago, at a photobook fair, a gallery owner walked up to my booth and asked: “Heb

On necessity and the polaroids of Cy Twombly. Dear Friends, At the moment Cy Twombly’s Polaroids touch me deeply. They are images of his studio